Share settings to ensure consistent metadata views and metadata handling for productions with multi-machine and multi-user workflows.Export your current configuration settings, including custom shortcuts, mappings, and metadata layouts in order to use them on another machine.Save a project’s folder structure in order to reuse it as a template for a new project.The key benefits of using the feature are: Settings export and import in Livegrade is a powerful tool for DITs as it accelerates configuration work and simplifies collaboration with other team members. Let’s look at both applications separately to gain a detailed overview of the included settings and their respective purposes. “Global Settings” are globally relevant for all projects, based on the currently set preferences (and device configurations for Livegrade)ĭue to the different application areas of Livegrade and Silverstack, the contents of their settings files also differ.“Project Settings” are based on the settings of the current project’s library.Select Settings for Import Settings Typesīoth Pomfort applications (Silverstack and Livegrade) differentiate between two types of settings: This way, you can flexibly choose which settings you would like to share or save for future productions and which ones you would like to import and reuse in your current production. On import, it’s possible to select from the available settings stored in a configuration file. On export, you can choose which settings to include in a configuration file. These configuration files unify multiple user-defined settings in one single bundle. Within Livegrade, you can export and import a “Pomfort Livegrade Configuration File” (.plconfig), and from Silverstack, Silverstack XT and Silverstack Lab, you can export and import a “Pomfort Silverstack Configuration File” (.psconfig). We’ll also go into detail about their application areas and possible contents. This blog post covers best practices for using settings files in Livegrade (Pro and Studio) and the Silverstack family (Silverstack, XT and Lab). Export and import functionalities also enable you to share settings with other users, which is useful when working over multiple units with other team members, for example. In many cases, you only have to adjust a few details and can begin working right away. You don’t have to start from scratch when prepping for a new production. Reusing previously configured settings can be a real time saver. This article shows how software configuration processes can get accelerated and become a lot more convenient than you would expect. Consequently, prep work plays a decisive role and can often be time-consuming. Willing to travel.At the start of a new production, DITs and dailies operators need to ensure their software and hardware are perfectly configured so that all individual requirements of the production are met. Reliable bases in Leeds, Bristol and Manchester. I am proficient in both Final Cut and Avid as well as basic camera skills. Furthermore tremendous research and problem solving skills are further qualities I pride myself on. I possess excellent communication skills and I am good with people. I have experience of designing workflows for a vast array of projects and formats and look to create quick workflows to avoid shooting bottlenecks whilst maintaining the 100% integrity of safely backing up everything that is shot! I also have experience of filming and designing workflows abroad. It is of the utmost importance that a shoot's footage should be backed up in the securest ways possible (be it a short film to a multi-million pound feature film and everything in between) consequently I take great pride in attention to detail and maintaining that every piece of data is safely backed up and clearly organised and accessible for the edit team. With this in mind I have began to assemble my own mobile Thunderbolt capable DIT/Data Management solution and look to expand this in the future in order to work on as many exciting projects as I can with a high standard of quality work. With a wealth of experience of utilizing various different cameras and workflows I feel it is now time that I branch out and share this knowledge as a freelance DIT and Data Manager. For the past few years I have worked at a major North Eastern post-production house as a DIT, Data Management Technician and Assistant Editor.
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